1/12/2023 0 Comments Behind the paint audio book![]() “I actually had COVID while recording that viral New York Times piece about COVID by Jessica Lustig,” she said. The Trump years were draining, as was the pandemic. She also regularly records long nonfiction pieces for the Audm app (which produces audio versions of The New Yorker’s stories). “I’m pitching it as ‘In a World’ meets ‘You’ve Got Mail,’ ” she said. ![]() “Thank You for Listening,” her second novel, a rom-com about two audio narrators, is out next week. “The Invisible Life of Addie LaRue.” (“Try aging a voice over three hundred years.”) “The Four Winds.” (“Accents all over the place!”) The most stressful title in her recording queue, she said, is her own. ![]() (“I think they’ve gone through all the older people,” she said.) At the 2019 Audies-the Oscars with less cleavage, more eyeglasses, zero assault-she won best female narrator, for Tara Westover’s “Educated.” “It’s a brilliant book, but there are so many I’ve sweated more!” she said. ![]() Whelan has recorded more than five hundred audiobooks, and has received AudioFile’s Golden Voice, an honor for lifetime achievement. Instead, she has quietly become a star of the unrecognizable kind. Rehab would’ve been.” She said, “I wasn’t Natalie Portman.” A producer told her, “College isn’t sexy. The book, “Gone Girl,” has sold more than ten million copies in all formats.Īfter studying English at Middlebury, she returned to Hollywood to start auditioning again. The fee was a couple of thousand dollars. novels.) One day, she got an e-mail from Gildea, asking if she’d like to narrate a new book. The two met in 2012, when Whelan, then twenty-seven, was making her living tutoring celebrities’ kids. “Very pandemic.” That day, she fled the jackhammering of workers installing a pool in her back yard for the offices of Penguin Random House Audio, where she could work alongside a longtime producer of hers, Kelly Gildea. She generally spends workdays at home, in the Coachella Valley, sitting alone in a dark padded booth, staring at a screen, talking to herself. Whelan, who has stick-straight brown hair and pale skin, wore a loose black jumpsuit. “Makes you phlegmy.” But her biggest job hazard is her stomach. “My lips go numb.” Cheese is also a no-no in her line of work. She had only fourteen pages to record that day, new material for the tenth-anniversary edition of Gillian Flynn’s “Gone Girl.” She ordered carefully anyway, requesting the spicy mayo on the side. “And then I got on the call and was, like, ‘Oh. “I was doing my makeup and shit,” she said. She had been up at six to Zoom with a Canadian book club for the blind. The other morning, Whelan had a meeting at Bad-Ass Breakfast Burritos, in the Woodland Hills neighborhood of Los Angeles. Most people have never heard Whelan’s name, but her friendly-firm timbre is familiar to anyone who listens to books or magazine articles. “I’m kind of on a Julia Whelan bender,” a reader tweeted recently. wiki-commons:Special:FilePath/Behind_the_Paint.There are a lot of voices in our heads these days, some more welcome than others.wiki-commons:Special:FilePath/Behind_the_Paint.jpg?width=300.It begins with a chronological account of his childhood, professional wrestling career, and musical career, including the conception of Insane Clown Posse's Dark Carnival mythology and the development of their fan base, known as "Juggalos". The book focuses on Bruce's entire life until 2002. Behind the Paint is the 2003 autobiography of American hip hop artist Joseph Bruce, better known as Violent J, one half of the Detroit, Michigan hip hop group Insane Clown Posse.
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